(In fact, I would not discard the possibility that the master is a reconstruction of some sort). I mention this because there are a few obvious limitations on it - which I also highlighted in the earlier review of the Region-B release - and I think that there is a very good chance that they are inherited from a secondary source. I don't know when it was finalized, and more importantly, how it was finalized. The release is sourced from the same master that StuidioCanal used to produce this Region-B release of Touchez Pas au Grisbi in 2017.
#Touchez pas au grisbi movie 1080p
Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jacques Becker's Touchez Pas au Grisbi arrives on Blu-ray courtesy of Kino Lorber.
#Touchez pas au grisbi movie tv
The main theme is instantly recognizable and has been used in different TV programs outside of France. The soundtrack that Jean Wiener created for Touchez Pas au Grisbi is of course legendary. The atmosphere that emerges as a result of this is simply tremendous. It all starts with Gabin, who genuinely looks like an aging gangster who has had enough noise and drama in his life and is now determined to walk out of the 'game' with a winning hand, and then everyone else basically responds with the same type of quality acting. In Touchez Pas au Grisbi the magic happens because of two things: First, the emphasis on detail is astounding and everything from the impeccable suits that Gabin and the other gangsters wear to the decoration in the clubs oozes elegance that instantly makes the film incredibly attractive. (In fact, the original material from the novel is quite a bit harsher and significantly more explicit than what the two ended up with). His presence is so overpowering that it gives Touchez Pas au Grisbi its identity.īecker worked closely with writer Albert Simonin and they adapted his famous novel together, but their script isn't that great. This is quite astonishing really because in Touchez Pas au Grisbi Gabin looks every bit as striking as Humphrey Bogart does in those famous classic noir films from the 1940s. There is a wonderful new interview on this release with Jean Becker, the son of director Becker, in which he explains how his father's insistence to have Gabin play Max basically revived the iconic actor's career. Max and a few of his former associates agree to meet Angelo's goons on a dusty road somewhere on the outskirts of the city, but the exchange does not go as agreed upon by the two sides. Then he contacts Max and tells him that he can have Riton back if he delivers the gold to him. Just days after the trade with the dealer is arranged another seasoned gangster, Angelo (Lino Ventura, Classe Tous Risques),ĭiscovers that Max has the stolen gold and orders his goons to kidnap Riton while he is enjoying the company of his favorite prostitute, Josy (Jeanne Morreau, Elevator to the Gallows). Max has frequently urged Riton to start acting his age, but his pal hasn't been able to break his bad habits and he has accepted that he would have to do his best to watch after him like an elder brother. But despite his age Riton simply cannot stop behaving like a prisoner who has not been with a woman for years - he is constantly out and enjoying the company of beautiful prostitutes who love money even more than he does. All they have to do now is wait for the smoke to blow over and when the time is right trade the four cases with the stolen gold bullion bars for cash. The aging gangster Max (Jean Gabin, Le Jour se Lève) and his best pal Riton (Rene Dary, Les Risques du métier) have pulled off a brilliant heist and are ready to retire. In Touchez Pas au Grisbi the style is everything. It is not the story, it is not the drama or the action. In fact, this is precisely the reason Touchez Pas au Grisbi is a great film. Some films try really, really hard to be cool, and some, like Jacques Becker's Touchez Pas au Grisbi, simply are. In French, with optional English subtitles for the main feature. The supplemental features on the disc include an original trailer for the film new video interview with assistant director Jean Becker archival interview with actress Jeanne Moreau video interview with professor Ginette Vincendeau and new audio commentary by critic Nick Pinkerton. "Don't Touch the Loot" (1954) arrives on Blu-ray courtesy of Kino Lorber. Jacques Becker's "Touchez Pas au Grisbi" a.k.a.
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